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Austin Tichenor
September 11, 2020
Matthew Socey has a lively one-hour chat with Austin Tichenor, artistic director and co-author of the Reduced Shakespeare Company. Also, grab a pencil...
Chadwick Boseman and Grab a Pencil
September 4, 2020
Matthew Socey discusses actor Chadwick Boseman, what films he's watched and what you watched this past week.
David Copperfield & Co.
August 28, 2020
Matthew Socey reviews The Personal History of David Copperfield and several other new films. Also, grab a pencil...

Tesla
August 21, 2020
Matthew Socey reviews the film Tesla, several older titles new to Blu-Ray and grab a pencil...
Sputnik
August 14, 2020
Matthew Socey reviews Sputnik, some new video releases and replays his epic chat with John Krull about the films of Elvis Presley (Special Appearance by Makenna Mays).
Made in Italy
August 7, 2020
Matthew Socey reviews the Liam Neeson film Made in Italy. Also, grab a pencil...
Summerland, Target: Philadephia and Taffeta V.
July 31, 2020
Mathew Socey reviews the film Summerland, the documentary Target: Philadelphia and chats with writer/costume designer Taffeta V. about the films Olivia de Havilland and a sub-genre of 1960s cinema.
Glenn Dobbs and The Rental
July 24, 2020
Matthew Socey interviews Glenn Dobbs (Indy Bard Fest) about his latest theatrical adventure, reviews the new thriller The Rental and then grab a pencil...
A Whole Lotta Lee
July 17, 2020
Matthew Socey reviews the new Criterion Collection box set of Bruce Lee films, two new films and then grab a pencil...
RIP Ennio Morricone
July 10, 2020
Matthew Socey and Brian Hartz discuss the impact of film composer Ennio Morricone. Matthew also reviews Relic and then grab a pencil...
The Truth and Grab a Pencil
July 3, 2020
Host Matthew Socey reviews the drama The Truth and pays tribute to Carl Reiner and Johnny Mandel. Then grab a pencil...
Grab a Pencil + A Cinema Oddity
June 26, 2020
Matthew Socey discusses what films he's watched this past, what Facebook and Twitter have been watching plus tributes to Joel Schumacher and a cinema oddity from the John Waters world.